Inside the Colonel Mustafa Vs Talia Oyando War of Words Over E-Sir

Fresh remarks by veteran Kenyan musician Colonel Mustafa about a past disagreement involving media personality Talia Oyando and the late musician E-Sir have sparked online discussion, reopening conversations about Kenya’s early 2000s entertainment scene.

The former Deux Vultures member claimed that a personal situation involving Oyando nearly caused tension between him and E-Sir, who was both his friend and label mate.
In a social media post, Mustafa said he and Oyando once shared a close connection.
“Talia and I had a serious vibe… honestly, we were supposed to be way more than friends,” he wrote.
According to Mustafa, the situation became complicated because Oyando was allegedly involved with E-Sir at the time.
He said the matter almost escalated into a serious fallout between the two artists.
“We almost let a situationship tear down a brotherhood and a label,” he stated.
Talia and Mustafa // Instagram

Talia Oyando Pushes Back

Oyando publicly rejected Mustafa’s account, questioning the authenticity and accuracy of the claims.

 

Responding through Instagram, she denied there had ever been a romantic connection between them or any dispute involving E-Sir.

“There was nothing ever brewing anywhere. E-Sir had no beef with you,” she wrote.

She added that she had only viewed Mustafa as a colleague and identified the resurfaced photograph he shared as one taken during the Kora Awards period.

Oyando’s reaction quickly drew attention from fans familiar with Kenya’s music history. Many noted her connection to the legacy surrounding E-Sir, who remains one of the country’s most influential hip hop figures more than two decades after his death in 2003.

Talia Oyando // Instagram

Mustafa Says He Was “Clearing the Air”

Following the backlash, Mustafa issued a further clarification, saying he had no intention of disrespecting anyone.

He maintained that his recollection of events was truthful and reflected the realities of their younger years in the entertainment industry.

“E-Sir and I had a disagreement over her, and as brothers and real men, we sat down and resolved it,” he said.

Mustafa also responded to critics who accused him of seeking publicity, arguing that outsiders did not fully understand the relationships and pressures within Kenya’s music scene at the time.

He insisted he was sharing behind-the-scenes experiences for fans interested in the untold history of local entertainment.

A Legacy That Still Draws Public Interest

E-Sir, remembered for hits such as Boomba Train and Moss Moss, remains a defining figure in Kenyan urban music. His influence on local hip hop and genge culture continues to shape conversations.

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