Kenyan singer and songwriter Bahati has stirred conversation across the local music scene after releasing a diss track aimed at several rising Gen-Z artists, including Toxic Lyrikali, Mauru Gwash and the rap collective Buruklyn Boyz.
The track, which quickly circulated on social media, was accompanied by a short caption posted on Bahati’s Instagram page: “A little advice to the kids.”
The message immediately sparked debate among fans, with many interpreting it as a direct response to the rising influence of younger artists dominating Kenya’s current urban music scene.
A Bold Move From the Veteran Artist
Bahati, who rose to fame through gospel music before transitioning into mainstream Afro-pop, has remained one of the most recognizable names in Kenyan entertainment for over a decade.
His latest diss track marks a notable shift in tone, placing him directly in the middle of conversations surrounding generational competition in the industry.
The track appears to critique what Bahati views as the direction of modern urban music, particularly the style and content associated with Gen-Z artists who have gained significant popularity on platforms like TikTok and YouTube.
Although the lyrics contain pointed references believed to be directed at Toxic Lyrikali, Mauru Gwash and Buruklyn Boyz, Bahati frames the track as a form of guidance rather than outright hostility, suggesting that his message is meant to advise younger musicians navigating the industry.
Artists Mentioned in the Diss
Toxic Lyrikali has emerged as one of the loudest voices among Kenya’s new wave of rap artists.
Known for his aggressive delivery and street-influenced lyrics, he has built a strong online following through viral songs and freestyle clips.
Mauru Gwash is another prominent figure in Kenya’s modern drill and trap scene. His music often reflects Nairobi street culture and resonates strongly with younger listeners.
Meanwhile, Buruklyn Boyz have become one of the most recognizable rap duos in the country. Their energetic style, fashion influence and street-inspired sound have helped shape the modern Kenyan drill movement.
By addressing these artists in his diss track, Bahati appears to be stepping into a broader conversation about experience versus youth in the Kenyan music industry.
Fans React Online
As expected, the release triggered a wave of reactions across social media platforms.
Some fans praised Bahati for speaking out, arguing that established artists have a role in guiding the next generation of musicians.
Others viewed the diss as unnecessary, pointing out that the artists he targeted are part of a new musical wave that has helped keep Kenyan music trending online.
Several listeners also debated whether the track should be interpreted as a serious beef or simply a strategic move to spark conversation and promote new music.
Music fans on platforms such as Instagram and TikTok began dissecting the lyrics line by line, attempting to identify the specific references aimed at each artist mentioned in the song.
Generational Shift in Kenyan Music
The controversy surrounding the diss highlights a broader shift happening in Kenya’s music industry.
Over the past few years, Gen-Z artists have significantly changed the sound of local urban music, introducing drill-inspired beats, Sheng-heavy lyrics and viral dance trends.
While veteran artists continue to command large audiences, younger musicians have gained rapid popularity through digital platforms, often bypassing traditional media channels.
Bahati’s track therefore reflects a moment where different generations of artists are negotiating their place within the evolving industry.
What Happens Next?
So far, none of the artists mentioned in the diss track — Toxic Lyrikali, Mauru Gwash or Buruklyn Boyz — have issued an official response.
However, fans are closely watching their social media pages and upcoming music releases to see whether they will respond through their own songs.
Regardless of whether the situation develops into a full-blown musical feud, Bahati’s diss has already succeeded in capturing attention and reigniting discussions about the direction of Kenyan music.
With audiences continuing to follow every development, the track has added yet another dramatic chapter to the ever-evolving story of Kenya’s vibrant entertainment scene.
