In a creative world largely dominated by men, one all-female dance collective is challenging the status quo — and doing it with flair, power, and purpose. Tizika, a seven-member Kenyan dance group, is not just dancing for applause — they’re dancing for impact, healing, and sisterhood.
The dynamic group is made up of Haika Makiki, Nelly Bradbury, Deborah Taprandich, Mercy Mueni, Beatrice Mwangi, Marilyn Obuyu, and Virginia Kariuki. Together, they are forging a space where African rhythm meets unapologetic expression.
“Tizika was born from the need to express ourselves—deeply, authentically, and powerfully. We felt a strong urge to create a space where dance wasn’t just about steps, but a language of healing, identity, and bold storytelling,” the group shared during an interview with Mpasho.
Formed just eight months ago, Tizika came together through auditions, schools, and dance circles. But beyond the routines and choreography, the women describe their union as something much bigger.
“We are not just a dance group—we’re a movement. We don’t perform to impress; we perform to connect.”
Their mission? To stay rooted in African rhythm and culture, while nurturing a community where women can grow, earn, support each other, and thrive.
What truly sets them apart is their multidimensional talent. Each member contributes creatively beyond dance — from fashion and music to design and media. This synergy allows Tizika to stand out both artistically and aesthetically.
Their biggest inspirations include Uganda’s Triplets Ghetto Kids for their joy and resilience, The Royal Family from New Zealand for their artistry and discipline, and locally, Kenya’s Safari Cats for their unity and commitment.
But like most female-led ventures, their journey hasn’t been without challenges.
“Life outside dance still goes on: school, work, personal struggles. Managing it all takes effort and grace.”
Other common hurdles include creative differences, securing the right studio, pressure to perform, and maintaining group visibility in a competitive entertainment space.
Still, they count several key milestones as proud achievements. Tizika has performed at major events like the Gender Conference, a Tennis Tournament, and the Dada Culture Event. They’ve also built a recognizable signature aesthetic that audiences now associate with the group.
“Despite all that, the biggest win is seeing how our dance has impacted others emotionally.”
Internal conflicts do arise, but the team has created a respectful and emotionally intelligent approach to handling them.
“We talk. We listen. We breathe first, react later.”
To aspiring dancers and young creatives, Tizika’s advice is clear, honest, and empowering:
Start where you are, use what you have.
Own your body and your style.
It’s okay not to be understood at first—keep going.
Surround yourself with people who see your vision.
Tizika is more than a dance group — it’s a movement, a sisterhood, and a living testament that women can not only occupy space but lead the way with rhythm, purpose, and power.
by dennis milimo
