Stoopid Boy apologizes to Oga Obinna

Rapper Stoopid Boy has apologized to Oga Obinna after he accused him of allegedly swindling money that had been donated to him (Stoopid) by well-wishers.

The upcoming rapper issued a public apology to Obinna following an earlier outburst on social media that was full of accusations.

In a video posted on TikTok, the ‘Gbaga Jat’ hitmaker appeared visibly distressed as he walked back on his previous claims. Stoopid Boy said:

“Oga Obinna sorry. Kama kuitisha pesa yangu ndio inafanya tusumbuane, sorry. Najirudisha rehab, Obinna asante kwa kunipeleka rehab, saa hizi najipeleka rehab. Please acheni tu nirudi rehab, siko poa. Nateseka, Obinna sorry.”

The rapper also admitted to struggling with his mental health and substance-related challenges, revealing that he intends to voluntarily return to rehabilitation. His statement seemed to acknowledge that Obinna had previously assisted him in getting help.

Obinna had earlier denied the allegations, maintaining that he had only ever tried to help the young artist, including organizing fundraising efforts to support his recovery journey.

As of now, Obinna has not publicly responded to the apology. Stoopid Boy’s gesture, however, marks a significant step toward reconciliation and perhaps a fresh start for the troubled rapper.

Stoopid Boy burst onto the Kenyan music scene with a song that would soon become a street anthem. He the artist behind the viral hit “G Bag Na Jug” (also stylized as “Gbaga Jat”), captured the attention of fans across the country with his raw energy, unfiltered lyrics, and unmistakable authenticity.

His breakout track, released under the Kipawa label and featuring collaborators Lyetin and Dalo Yoyo, was a game-changer. “G Bag Na Jug” fused street slang with bold punchlines and catchy hooks that resonated with youth across Kenya. The song’s viral nature was propelled by TikTok challenges and YouTube streams, where it quickly clocked over 1.7 million views, making Stoopid Boy a household name almost overnight.

Lines like “Marapper wameparara ka dancer wa Willie Paul” became instant fan favorites, quoted widely on social media and turning him into a fan favourite figure among Gen Z audiences. It wasn’t long before radio stations, bloggers, and talk shows wanted a piece of the new sensation. But the sudden limelight came with its own challenges.

In one high profile moment, he cancelled a scheduled TV47 interview with comedian and host Dr. Ofweneke, reportedly insisting on being paid upfront. The incident sparked online debate but also highlighted the struggles many emerging artists face, fame without financial backing, and popularity without proper management.

 

by  queen serem

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